Abstract

The aim of this article is to mark the particularity of the supervision in a psychodrama setting, underlining the importance to promote into the psychotherapist the ability of “construction” that develops and takes forces from reverie. The play is presented as a instrument of fragmentation of the precedent representations of the inner and external world that for each one can coincide with their dominant ghost, making possible that in a visual and sonorous more consistent at a perceptive level, space, it is promoted that ability of reverie that founds the fundamental construction of each analytic work. It follows the possibility for the psychotherapist and for the patient, to untie him from its more expensive defences.

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