The two papers we are going to present are focused on the theme of the image –particularly pictorial representation- in order to describe more efficiently experienced reality. The aim is to present the importance to conjugate our passion for psychodrama’s technique with the rigour of theoretical research that is necessary for our work’s development. The first article of S. Tedaldi, offers an iconic description based on visual, universal and immediate symbols that words don’t always have. The second paper of A. Iannotta refers to what Lacan discerns in the incisiveness of visual experience as a solution to language’s ambiguity. In Hobelin’s painting The ambassadors the discovering of an extravagant figure is crucial to discover the painting’s sense. Though, the image’s communication capability is not absolute.